George Gimarc and William Lyman Underwood

George Gimarc (born 1957) is an American disc jockey, record and radio program producer and author based in Texas. He is known for his extensive and authoritative knowledge about the classic rock radio format, recorded music in general, and specifically the era of punk rock. His broadcast programs have been heard in various formats in the US, Europe and New Zealand, via licensed stations and unlicensed pirate radio transmitters.

Contents 1 Early life 1.1 DJ career 1.2 Producer and author 2 24/7Comedy 3 Published works 4 References 5 External links

Early life

After attending Wallace Elementary School in Dallas, George Gimarc graduated from Lake Highlands High School in the Class of 1975. DJ career

Gimarc began his career as an intern at WRR AM in Dallas, then worked at college as a disc jockey on the University of North Texas radio station KNTU. In the spring of 1977, he started a new weekly show, that eventually became known as The Rock & Roll Alternative. This was one of the first regular new wave or punk radio shows in the United States.

The Rock & Roll Alternative program was responsible for introducing acts such as R.E.M., The Go-Go's, U2, The Psychedelic Furs, The Sex Pistols, Devo, The B-52's, XTC, The Smiths, The Cult, and hundreds of others to the listening audience of the Dallas and Fort Worth metroplex listening area from 1977 onwards. It went through three different theme songs, but its most familiar was the one provided by new friends The Bangles when they were recording their first album.

The Rock & Roll Alternative program moved to commercial radio on May 18, 1980 and continued for 14 years until it was retired. Along the way, it was heard on four different licensed stations throughout its run in Texas - KNTU / KZEW / KNON/ KDGE. After the show moved to KZEW (The Zoo) in Dallas, George Gimarc in association with John England began to promote the ideology of free radio (as opposed to government censored radio) within the show. Gimarc announced the show as being heard on the flagship station KZEW and the Four Freedoms World Service (4FWS) which relayed the program via recordings for retransmission by a network of unlicensed pirate radio stations that transmitted on AM, FM and shortwave in Europe, and shortwave from New Zealand via KIWI Radio, to Australasia. A Texas network of Public-access television cable TV channels called 4FTN, also aired special editions of Gimarc's programs.

While Gimarc was hosting The Rock & Roll Alternative on KZEW-FM, in 1982 he also became music director on its sister AM station KRQX (K-Rocks) and turned it into a new format designed to be the flipside to the AOR sister station KZEW. While the Zoo was playing Kansas, The Eagles and Eddie Money, this new station played the older items they could no longer fit into the playlist - the Beatles, CCR, and Hendrix. Gimarc called it 'Classic Rock' and soon the format would spread to many other stations.

In 1987, after both KZEW and KRQX changed ownership (from Belo to Anchor) and formats, he began a new program called Back Pages on KZPS in Dallas. This was an eclectic classic rock show combining rare records, intriguing stories and listener requests.

In 1989, Gimarc was the first official hire of the new station KDGE (The Edge) where he developed the new commercial alternative format along with Wendy Naylor. He was on air daily in the afternoons and served as Music Director as well as doing the R&R Alternative for another year or so. He, and several other key members of the staff were shown the door in 1993 when the station decided to take a more mainstream (chart) approach to music, and was no longer as keen on breaking new acts, as they were of following new trends.

After years of music radio, Gimarc ventured into talk radio via the several appearances he'd made in the 1990s as a regular guest in Dallas with Mark Davis and Kevin McCarthy. He got his own show on the Texas State Network on Saturday nights and it was called The Lost Tapes. Again, it was songs and the stories behind them, with frequent guests and off-beat topics. The program even had one of the last interviews with Buddy Ebsen discussing his long and unknown singing career.

Gimarc continued innovation with Radio Sass (Short Attention Span System), a new protocol for music radio allowing a broadcaster to play up to twice as much music in an hour as was previously possible, by cutting out parts of the song, time-compressing the music and other electronic "slice and dice" techniques. Gimarc is so proud of this new form of "radio formatics" that he has successfully received a pair of U.S. Patents on the technique, the first to ever apply to a radio format. Gimarc promotes the method as "groundbreaking in its approach to streamlining radio for modern listeners", despite the contention of his critics that what Gimarc calls "streamlining" is really "butchering" and "dumbing down". At this time, there is great enthusiasm among corporate radio interests and conglomerates that this may be the future path for Top 40 and CHR formats. Gimarc was pleasantly surprised to find that listeners in research groups did not detect the edits, although very familiar with the music. He says that the shortening parallels what listeners already do by punching from station to station, a behavior even found with iPods and personal devices. This protocol is now in use under the name 'Quick Hitz." Producer and author

While at KDGE, Gimarc produced and financed the twice-annual Tales From The Edge CD releases, eventually producing eleven volumes. All were loaded with unsigned local acts from North Texas, and many groups found this to be their first ever release on CD. The CDs typically sold out in a month or so. In all, over 100,000 Tales From The Edge CDs hit the streets of Dallas.

After leaving the station Gimarc also produced the Edge Home Movie, a music video collection hosted by Edge DJs, that was a free video rental via Blockbuster outlets in DFW. 1,000 units were produced each month, and there were about a dozen issues before the station lost interest in promoting videos from alternative bands that weren't necessarily on their playlist yet.

In addition to his on-air work and CDs, Gimarc became the sole writer for Rotten Day, a nationally syndicated radio program starring John Lydon, which aired in over 50 markets. When the radio show, distributed by Album Network, concluded its run, John Lydon and Gimarc moved on to VH1 with the show 'Rotten Television' While doing the irreverent program for VH1, Lydon also got to be a live host on the red carpet for the Grammy Awards, with Gimarc helping along with special material and props for the guests. Gimarc acted as consultant for the Time/Life and The History of Rock and Roll series, compiled several record collections and written liner notes for many record labels. He has also written several books, including Punk Diary 1970-1979 'Punk Diary 1980-1982 and Hollywood Hi Fi.

As a result of being a voracious record collector and remaining in Dallas for his entire career, Gimarc has amassed an enormous archive of Texas music stretching back over 100 years. On many occasions North Texas alt bands have had long lost recordings presumed lost, returned to them in clear, digital restorations. His expertise in Texas Music has gained him a seat on the advisory board of the new Texas Musicians Museum .Many items from his collection are on display there, including a field recorder used by Library of Congress historian Alan Lomax.

Despite his past reputation as a punk-rock maverick and alt-culture guru, Gimarc recently surprised his 1980's listeners and fans by helping a long time friend set up a successful radio program for fundamentalist Christian TV personality and former Republican presidential hopeful Governor Mike Huckabee. 24/7Comedy

In 2008 Gimarc began developing an All-Comedy radio format for AM & FM with a partner launching it in Riverside, CA. in September 2010. In the two years that followed, 24-7 Comedy Radio grew to 20 affiliates across the US and Canada. In July 2012 it was purchased by Clear Channel M+E and was rolled out on even more stations bringing the total by years end up to nearly 40 stations. Gimarc is Comedy Brand Manager for Clear Channel and runs the operation from Dallas with a small, tight staff. It can be heard on stations in Austin , Atlanta, Dallas, Hamilton ON, Toronto, Denver , and many others, or via the iHeart mobile app, or through its website at www.247Comedy.com. Published works

Punk Diary 1970-79: "The beginning of punk in 1970. There are over 2,000 music news entries and 1,000 recordings detailed. Rare records are annotated with details."

Post-Punk Diary 1980-1982: "The mutation of punk into the thrash and Oi! movements, the rise of the New Romantic movement with groups like Duran Duran, Visage and Spandau Ballet. America heard new music from Boy George, R.E.M., 10,000 Maniacs, and The Bongos. Although it only covers three years in music, this complete day-by-day diary includes over 900 bands and in excess of 3,300 records."

Punk Diary 1970-82: The above two books combined into one publication.

Hollywood Hi Fi, (with Pat Reeder), St. Martin's Press: "An overview of 125 recordings by singing celebrities who really should never have been allowed into a recording studio. You wouldn't believe the songs sung by Jerry Mathers, Joe Pesci, Clint Eastwood, Leonard Nimoy, Bette Davis, Hogan's Heroes, Joan Rivers, Rex Reed, Mae West and others."

William Lyman Underwood and George Gimarc

Contents 1 Biography 2 Death and legacy 3 References 4 External links

Biography MIT Notable Events, 1895, in the Kendall/MIT subway stop, mentioning Underwood and Prescott.

A native of Boston, Massachusetts, Underwood was the second son of William James Underwood, one of the nine children of William Underwood, the founder of the William Underwood Company.

In late 1895, the William Underwood Company decided that they had had enough with tin cans that had "swells" in them, causing a great deal of product loss. This was a problem they had experienced since the company's founding in 1822. William Lyman decided late that year to visit MIT for assistance with this problem.

Underwood approached William Thompson Sedgwick, the chair of the biology department at MIT about the concerns he had with the recent product swells and explosion of clams. Sedgwick then summoned his assistant Samuel Cate Prescott and apprised him on the issue. From late 1895 to late 1896, Prescott and Underwood worked on the problem every afternoon, focusing on canned clams. They first discovered that the clams contained some heat-resistant bacterial spores that were able to survive the processing; then that these spores' presence depended on the clams' living environment; and finally that these spores would be killed if processed at 250˚F (121˚C) for ten minutes in a retort.

These studies prompted the similar research of canned lobster, sardines, peas, tomatoes, corn, and spinach. Prescott and Underwood's work was first published in late 1896, with further papers appearing from 1897 to 1926. This research, though important to the growth of food technology, was never patented.

During the research process, Underwood provided photomicrographic images of the bacteria that were involved in the research, which were magnified 650 times in 1896. A later research article in 1898 showed photography of bacteria magnified 1,000 times.

This research proved beneficial to the William Underwood Company, the canning industry, the food industry, and food technology itself. Underwood retired from the William Underwood Company in 1899 to devote himself entirely to bacteriology studies at MIT. He would work at MIT without pay. This research and friendship with Prescott would continue until Underwood's death in 1929. Death and legacy

In the late 1950s, the new president of the William Underwood Company, George Seybolt, was brought over by his predecessor, W. Durant, to MIT to meet Prescott (William Lyman Underwood had died in 1929). At the Institute of Food Technologists Northeast Section (Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont) meeting at Watertown, Massachusetts, in April 1961, the William Underwood Company dedicated a new laboratory in honor of both Prescott and William Lyman Underwood. Following Prescott's death in 1962, the Company created the Underwood Prescott Memorial Lectureship in memory of both Underwood and Prescott. This Lectureship would run until 1982. In 1969, Seybolt donated US$600,000 to MIT to create the Underwood Professorship, followed up with an Underwood Prescott Professorship in 1972. Three MIT faculty have held this professorship since its inception: Samuel A. Goldblith, Gerald N. Wogan, and since 1996, Stephen R. Tannebaum.

Underwood was also a talented photographer. Besides images in microbiology, Underwood also photographed natural environment. His photographs were part of a book by John Burroughs as shown in the second and third external links listed below. One of Underwood's two brothers, Loring, was also an accomplished photographer as well.
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